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Nick Harty

Nick Harty

Technical Lead

Technical architect and full-stack engineer building the core systems that power Storiara. Creates technology that enhances creative workflows.

Articles & Insights

Sharing knowledge on film production and tech.

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Sep 14, 20268 min read

AI Script Breakdown: What It Gets Right and What to Check

What AI script breakdown tools reliably extract, what they miss or invent, a scene compared against a human breakdown, and a review checklist before trusting the output.

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Sep 14, 20269 min read

Best Call Sheet Software for Film Productions in 2026

Eight call sheet tools compared on delivery, confirmations, weather, and September 2026 pricing: Storiara, StudioBinder, SetHero, Filmustage, Yamdu, and more.

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Sep 14, 20269 min read

Best Film Budgeting Software for Producers in 2026

Eight film budgeting tools compared on fringes, actuals, incentives, exports, and September 2026 prices: Storiara, Movie Magic Budgeting, Showbiz, Saturation, and more.

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Sep 14, 20267 min read

Best Free Film Production Software, and What Free Includes

Eight free film production tools checked in September 2026, with the real limits of each free plan: projects, seats, AI, exports, and when you'll have to pay.

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Sep 14, 20267 min read

Best Production Software for Film Schools and Programs

Seven pre-production tools for film schools compared on class management, student access, industry formats, and verified September 2026 education pricing.

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Sep 14, 20268 min read

Best Script Breakdown Software for Film and TV in 2026

Eight script breakdown tools compared on import formats, AI tagging, element categories, exports, and September 2026 prices, from Storiara and Filmustage to Movie Magic.

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Sep 14, 20269 min read

Breaking Down Stunts, SFX, and VFX in One Action Scene

A worked breakdown of one action scene split into stunts, practical effects, and visual effects, with who owns each moment, safety bulletins, and schedule impact.

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Sep 14, 202610 min read

DGA Low Budget Agreement: Budget Levels, Rates, and Terms

The DGA Low Budget Sideletter covers theatrical films up to $11 million. See each budget level's director and AD/UPM rates for 2026-27, prep minimums, and fringe terms.

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Sep 14, 20268 min read

Documentary Script Breakdown: Interviews, B-Roll, and Archive

How to break down a documentary with no finished script: turn the outline into shoot blocks, then list subjects, releases, b-roll, archival clearances, and gear.

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Sep 14, 20268 min read

Extras Breakdown: How to Count Background Actors Scene by Scene

How to build an extras breakdown: turn vague action lines into counts, split featured from general background, track matching faces, and total person-days per shoot day.

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Sep 14, 20268 min read

How Storiara Turns a Script Into a Stripboard, Step by Step

What happens in Storiara between uploading a script and building a stripboard: scene parsing, page eighths, breakdown fixes, production dates, and the manual board.

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Sep 14, 20268 min read

How to Become a SAG-AFTRA Signatory for Your Indie Film

Becoming a SAG-AFTRA signatory is free but takes weeks. What the application asks for, which documents to prepare, the security deposit, and a timeline that works.

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Sep 14, 20268 min read

How to Break Down a Script in Final Draft 13 Using Tags

Step by step: number scenes, turn on Tags Mode, tag props and cast, link items to characters, customize categories, and run Tags reports in Final Draft 13.

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Sep 14, 20268 min read

IATSE Low Budget Theatrical Agreement: Tiers and Crew Rates

The IATSE Low Budget Theatrical Agreement sets crew rates by budget tier, from Ultra Low up to $3.3M to Tier 3 at $16.5M. See 2026 thresholds, rates, and budget math.

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Sep 14, 20268 min read

Meal Penalties Explained: Union Rates, Non-Union Rules, and Math

How meal penalties work for IATSE crew, SAG-AFTRA actors, and non-union crew in California, with current rates, grace and NDB rules, and a worked example for a full day.

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Sep 14, 20268 min read

Music Video Script Breakdown: From Treatment to Shoot Plan

How to break down a music video treatment: map the song by timecode, split performance and story setups, list looks, playback, and gear, then group setups into a day.

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Sep 14, 20269 min read

SAG-AFTRA Low Budget Agreements: Which One Fits Your Film

SAG-AFTRA has six agreements for indie projects, from Micro-Budget ($20,000) to Low Budget Theatrical ($2M). Compare caps, day rates, background rules, and release terms.

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Sep 14, 20268 min read

Scene Numbering Rules for Shooting Scripts, With Edge Cases

Scene numbering rules for production: when to number, what gets a number, A-scenes, omitted scenes, intercuts, montages, merged scenes, and Final Draft settings.

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Sep 14, 20268 min read

Script Breakdown Color Codes: The Chart and How to Mark a Script

The standard script breakdown color chart (red cast, orange stunts, green extras, purple props), the symbols for wardrobe and makeup, and how to mark a real scene.

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Sep 14, 20268 min read

Script Breakdown Example: One Scene From Page to Finished Sheet

A worked script breakdown example: a 5/8 page scene marked element by element, measured in eighths, and turned into a finished breakdown sheet and department lists.

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Sep 14, 20267 min read

Script Revision Colors: The Order and How Revisions Move

The script revision color order (white, blue, pink, yellow, green, goldenrod, buff, salmon, cherry, tan), how revised pages are marked, and who updates what.

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Sep 14, 20268 min read

From Script to Call Sheet in Storiara: A Full Walkthrough

A step-by-step Storiara walkthrough from uploaded script to emailed call sheet: scenes, cast linked to characters, locations, the stripboard, and Callsheets.

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Sep 14, 20268 min read

Storiara for First Assistant Directors: What It Does in Prep

What a 1st AD can hand to Storiara and what stays manual: the scene list and eighths, a drag-and-drop stripboard, Day-Out-Of-Days, call sheets, and the limits.

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Sep 14, 20267 min read

Storiara for Line Producers: Budget, Schedule, and Incentives

How a line producer can use Storiara: a budget built from the breakdown and schedule, rate tables to verify, incentive estimates, and the gaps in cost tracking.

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Sep 14, 20268 min read

Taft-Hartley Explained: Hiring Non-Union Actors on a SAG Film

How Taft-Hartley works on a SAG-AFTRA production: preference of employment, valid reasons for a non-member hire, the 15-day report, damages, and the actor's 30 days.

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Sep 14, 20269 min read

Turnaround Rules Compared: SAG-AFTRA, IATSE, DGA, and Minors

Turnaround rules side by side for actors, IATSE crew, DGA assistant directors, and minors, with weekend rest, penalties for short turnaround, and worked call times.

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Sep 14, 20269 min read

Working With Minors on Set: Permits, Hours, and Studio Teachers

Child actor rules come from state law, not federal. Compare California and New York hours by age, permits, studio teachers, trust accounts, and SAG-AFTRA's minor terms.

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Doubling Locations: How Georgia and New Zealand Play Somewhere Else
Mar 24, 20269 min read

Doubling Locations: How Georgia and New Zealand Play Somewhere Else

Location doubling means shooting one place to read as another: Atlanta for Queens, Otago for Montana. How scouts, art, and VFX sell it, and what it saves.

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Exhibit G: Tracking Cast Time and SAG-AFTRA Compliance
Mar 24, 20268 min read

Exhibit G: Tracking Cast Time and SAG-AFTRA Compliance

How to keep a SAG-AFTRA Exhibit G: every column on the form, a filled-in shoot day with meal penalty and turnaround math, deadlines, and the errors that become claims.

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How to Calculate Film Script Page Counts in Eighths
Mar 24, 20268 min read

How to Calculate Film Script Page Counts in Eighths

Measure each scene in eighths of a page, add eighths into whole pages, check totals against the script, and use page counts to plan a shooting day, with worked math.

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How to Manage Production Costs With a Daily Hot Cost Report
Mar 24, 20268 min read

How to Manage Production Costs With a Daily Hot Cost Report

Build a daily hot cost from the production report, time cards, and Exhibit G, price the overages against the budget, and project the trend before the weekly cost report.

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How to Read a Film Call Sheet: A Guide for Cast and Crew
Mar 24, 202614 min read

How to Read a Film Call Sheet: A Guide for Cast and Crew

How to read a film call sheet: your call vs crew call, shooting call, status codes like SW and WF, the advance schedule, and what to do when a revised sheet arrives.

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How to Run a Shutdown Cost: Pricing a Hiatus vs a Full Stop
Mar 24, 20268 min read

How to Run a Shutdown Cost: Pricing a Hiatus vs a Full Stop

A shutdown cost prices what it takes to pause or abandon a film mid-production: sunk costs, weekly holding costs, restart costs, and wind-down, net of insurance.

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Navigating Film Unions: A Guide to the DGA, SAG-AFTRA, and IATSE
Mar 24, 202612 min read

Navigating Film Unions: A Guide to the DGA, SAG-AFTRA, and IATSE

How the DGA, SAG-AFTRA, IATSE, and Teamsters shape a production: who each covers, the rules that cost money on set, and how claims and grievances get filed.

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Television Greenlighting: Pilots, Series Orders, and Streaming Economics
Mar 24, 20267 min read

Television Greenlighting: Pilots, Series Orders, and Streaming Economics

How TV series get greenlit: pilot orders vs straight-to-series, license fees and deficits, pattern budgets with worked math, and how streaming changed the economics.

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The Core Production Team: Who Runs a Film Set?
Mar 24, 202611 min read

The Core Production Team: Who Runs a Film Set?

Who runs a film set: producers, the UPM, the 1st AD, the production office, accounting, and department heads, with the order they're hired and who reports to whom.

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The Cultural Test: How Films Qualify for International Incentives
Mar 24, 20269 min read

The Cultural Test: How Films Qualify for International Incentives

Cultural tests decide whether a film counts as national for incentive purposes. How the UK, Canada, France, and Australia score them, with worked point tallies.

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The Film Greenlight Process: How Studios Decide to Make a Movie
Mar 24, 20268 min read

The Film Greenlight Process: How Studios Decide to Make a Movie

How a film gets greenlit: the budget, cast, and schedule package, a greenlight P&L with worked numbers, how studios and streamers weigh risk, and what kills a deal.

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Film P&L Projection: How to Model Revenue, Costs, and Break-Even
Mar 24, 20268 min read

Film P&L Projection: How to Model Revenue, Costs, and Break-Even

A film P&L projection estimates revenue by territory and window, subtracts fees, P&A, and the net budget, and shows the break-even point under low, base, and high cases.

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The Post-Production Workflow: From Editor's Assembly to Final Delivery
Mar 24, 20268 min read

The Post-Production Workflow: From Editor's Assembly to Final Delivery

The post-production workflow step by step: editor's assembly, DGA director's cut periods, picture lock, sound, music, color, QC, and what distributors expect delivered.

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The Screen Actors Guild (SAG-AFTRA): What Every Producer Needs to Know
Mar 24, 20269 min read

The Screen Actors Guild (SAG-AFTRA): What Every Producer Needs to Know

What producers need to know about SAG-AFTRA: signing on, picking an agreement, 2026 rates, consecutive employment, pay deadlines, and the paperwork due after wrap.

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Tier Projects: How a Film's Budget Size Sets Union Crew Rates
Mar 24, 20268 min read

Tier Projects: How a Film's Budget Size Sets Union Crew Rates

Union low budget agreements set crew and cast rates by budget tier. Here's how IATSE and SAG-AFTRA tiers work, what counts toward the cap, and what going over costs.

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VFX and Music Budgeting: How to Price Two High-Risk Accounts
Mar 24, 20268 min read

VFX and Music Budgeting: How to Price Two High-Risk Accounts

How to budget VFX by shot count and complexity, with bids, supervision, and shot creep, and music by composer package, union scoring sessions, and staged licenses.

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Day Out of Days Template: How to Build a DOOD for Your Film
Mar 6, 20269 min read

Day Out of Days Template: How to Build a DOOD for Your Film

Build a day out of days (DOOD) from your shooting schedule: what SW, W, H, WF, SWF, T, D, and PU mean, how to fill each cell, total paid days, and cut holds.

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Indie Film Pre-Production Checklist: 12 Weeks to Day One
Feb 20, 202611 min read

Indie Film Pre-Production Checklist: 12 Weeks to Day One

An indie film pre-production checklist organized by weeks before day one: rights, hires, breakdown, schedule, budget, casting, locations, insurance, and the final week.

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What Is a Script Breakdown? A Complete Guide for Filmmakers
Jan 16, 202612 min read

What Is a Script Breakdown? A Complete Guide for Filmmakers

A script breakdown lists every cast member, prop, costume, vehicle, effect, and location in each scene so the film can be scheduled and budgeted. Here's how it's done.

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Best Film and Video Production Management Software (2026)
Nov 15, 20259 min read

Best Film and Video Production Management Software (2026)

Ten film and video production management tools compared on script breakdown, stripboards, budgets, call sheets, mobile apps, and prices checked September 2026.

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